It's not a sequel! ''It's a companion piece,'' explains producer Lawrence Bender. As a salsa-dancing waiter, ''Y Tu Mamá También'''s Diego Luna flashes his hungry eyes at newcomer Romola Garai (''Nobody puts Romola in a corner!'') in prerevolutionary 1950s Cuba. Promises the producer, ''There will be plenty of hot stuff going on.''
Originally posted Feb 12, 2004Published in issue #752 Feb 20, 2004Order article reprints