Music From and Inspired by South Park: Bigger, Longer & Uncut We fans of the movie musical don't have much to cheer our hearts these days. "Chicago"'s in development hell, "Rent"'s not due for years, and… Music From and Inspired by South Park: Bigger, Longer & Uncut We fans of the movie musical don't have much to cheer our hearts these days. "Chicago"'s in development hell, "Rent"'s not due for years, and… Soundtracks
Music Review

Music From and Inspired by South Park: Bigger, Longer & Uncut

South Park, South Park, ...

ARTSY FARTSY The 'toon tykes make like Von Trapps in their big-screen debut

EW's GRADE
A-

Details Genre: Soundtracks

We fans of the movie musical don't have much to cheer our hearts these days. ''Chicago'''s in development hell, ''Rent'''s not due for years, and we'll believe in a filmic ''Phantom'' when we see one; even animation may be losing its footing as the tuner's last stronghold, with Disney deciding ''Tarzan'' shouldn't sing, just swing. Oh well. As a deliciously tasteless consolation prize, there's Music From and Inspired by South Park: Bigger, Longer & Uncut, a cast album that gleefully sends up all the Hollywood musical conventions we're being deprived of. Lost amid all the talk of whether the ''South Park'' movie might be inappropriate for kids -- duh, dude! -- was the idea that an even more appreciative target audience than teens might be grown-up drama queens.

''Park'' ranger Trey Parker cowrote most of the 12-song score with established composer Mark Shaiman, and these two don't waste time in getting the mock Menken & Ashman riotously under way. Anyone who's seen ''Beauty and the Beast'''s Belle describing her provincial life will recognize the roots of ''Mountain Town,'' and even Satan gets a yearning ballad, wondering about life ''Up There,'' à la ''Little Mermaid'''s ''Part of Your World.'' It's not just Disneyana on the block: ''What Would Brian Boitano Do?'' is prime variety-show disco, while the do-si-do Coplandisms in ''Uncle F**ka'' suggest ''Oklahoma!'' on crack, with an inspired farting interlude that seems ripe for an Agnes de Mille dream ballet.

The disc is filled out by less satisfying ''interpretations'' of the score by hip-hop and rock acts, from Kid Rock to Rush. When rappers turn Parker's profane ditties more obscene still while jettisoning the orchestration's satiric juxtaposition, it's distressingly close enough to standard hip-hop fare that the joke sours, especially when you imagine kids committing them to memory. You should probably have to show your Sondheim Fan Club card, if not proper proof of age, to buy a copy.

Originally posted Aug 09, 1999
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