DMX's songs are death-obsessed and drenched in religious imagery. For all the mayhem, hottie-chasing, and call-outs to his ''dogs,'' he moves in a haunted moral universe. Tracks like ''The Professional'' and ''Angel'' (on which Regina Belle takes a spectacular turn) document a ravaging spiritual anguish. ''I got something that's working against/Everything I know is right,'' he confesses on ''Angel.'' That internal drama lends ''X'' a thematic ambition few contemporary rappers even bother to strive for.
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