It starts out as a prankish vacation through Condo's mindscape, with visits to such pals as William S. Burroughs, and much screen time devoted to the looney-tune muses (animated and otherwise) that the artist calls ''antipodal beings'' and winkingly insists really exist.
Along the way, though, ''Condo Painting'' turns unexpectedly affecting as we watch a canvas reworked (and reworked and reworked) over a two-year period. Whatever you may think about Condo's kitsch-cartoon subject matter, this vision of creativity as blind, instinctive ''process'' is exhilarating.


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