Now, this being a quintessentially French film (even if director Frédéric Fonteyne is Belgian born and López is Spanish), monsieur and madame talk and analyze an awful lot -- even during the film's most erotic scene. But at least the talk isn't cheap: By alternating what He says to an unseen interviewer with what She says and what the neutral camera shows, Fonteyne edges closer than most to capturing the mysterious rhythms of liaisons -- pornographique, romantique, and otherwise.
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