If Nico had collaborated with Phil Spector instead of Lou Reed, she might have turned out like the Concretes' Victoria Bergsman. The frontperson of this eight-person collective delivers their moving songs for the dumped in an affectless voice as cold as a winter in Sweden (the album was recorded in a country house in the band's native land). But the staccato horns and guitar drones bathed in Wall of Gloom reverb provide just enough warmth to ward off frost-bite.

