Movie Article

''The Shining'' and other scary movies

Jack Nicholson, Shelley Duvall, ... | 'SHINING' SOCIOPATH Nicholson's arrival redefines Shelley Duvall's idea of a winter retreat
Image credit: The Shining: Foto Fantasies
'SHINING' SOCIOPATH Nicholson's arrival redefines Shelley Duvall's idea of a winter retreat

THE SHINING (1980) Directed by Stanley Kubrick
Kubrick's adaptation of Stephen King's novel about the Torrance family's headlong plunge into insanity during a secluded Colorado winter remains better known for its T-shirt quotables (''Heeeere's Johnny!'' ''All work and no play make Jack a dull boy'') than as a beautiful and pleasing horror film. It's a shame. With a haunting score, luscious, near-eternal Steadicam shots, and Jack Nicholson's grand pirouette into murderous madness at its heart, it's one of the most artful horror films in history. Not everyone, of course, thinks so. King was famously put off by the adaptation, remarking, ''I think [Kubrick] wants to hurt people with this movie.'' (He made his own six-hour TV version in 1997.)

THE EXORCIST (1973) Directed by William Friedkin
A cat unexpectedly jumping from off camera is scary. But The Exorcist is so disturbing it will mess you up for months. Controversial and profane, The Exorcist remains the most viscerally harrowing movie ever made, not only because it dares to question the existence of God but because it has the cojones to put Satan in the body of a 12-year-old girl. Moviegoers literally fainted as Linda Blair vomited pea soup on a priest. And after a series of mishaps, Friedkin asked a clergyman to perform an exorcism of the set. ''A lot of people definitely thought something weird was happening,'' says Blair, ''but I was so young they tried to keep me in the dark.'' Consider yourself blessed, Linda.

THE TEXAS CHAINSAW MASSACRE (1974) Directed by Tobe Hooper
Truth is stranger than fiction...and it's a hell of a lot scarier, too. Based (like much of Psycho) on the horrific ritual murders committed by Ed Gein, Chainsaw looks, feels, and smells so much like a grainy, low-budget documentary that it borders on snuff. It opens with a sober-voiced narrator (a young John Larroquette) detailing a heinous killing spree. Then we see the split-second flashbulb pops of crime-scene carnage before finally meeting Leatherface — a homicidal lunatic wearing a butcher's apron and a mask stitched out of human skin. Hooper (Poltergeist) says that when he settled on the film's title, ''I lost several friends. But I thought, they're putting so much energy into hating the title, maybe there's something there.'' Indeed there is; a copy of Chainsaw resides in the Museum of Modern Art.

THE SILENCE OF THE LAMBS (1991) Directed by Jonathan Demme
''A census taker once tried to test me. I ate his liver with some fava beans and a nice Chianti...fpt-fpt-fpt.'' Released only one year into the '90s, Silence would remain the decade's scariest vision of pure sociopathic evil. As Dr. Hannibal Lecter, Anthony Hopkins is a waking nightmare of seductive depravity — the sick, twisted serial killer America hates to love. Even with Hannibal the Cannibal safely locked away in his maximum-security cell, Jodie Foster's FBI trainee Clarice Starling is as helpless as a lamb. ''Great villains are subversive — audiences go and see them because they feel uncomfortably attracted to them,'' says Scott Glenn, who plays Starling's seen-it-all FBI mentor in Silence. ''To this day I still have nightmares about it.'' Join the club.

Originally posted Oct 20, 2004
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