Is this slapstick comedy an example of the worst excesses of the macho, politically incorrect 1970s cop film, or a parody of those excesses? Riding the same San Francisco streets as Bullitt and Dirty Harry, Alan Arkin (pictured, left) and James Caan (right) cause no end of vehicular damage and civilian casualties, proving themselves a much greater danger to public safety than the mobsters they're trying to bring down.