in Le Mépris (1963)
Master provocateur Jean-Luc Godard began his ambitious Hollywood satire (and loose adaptation of Homer's Odyssey) Contempt with a lengthy, unbroken shot of the bare loveliness of Brigitte Bardot (although only from behind). While Godard rapidly changes the color of the light making us aware of the manipulated, air-brushed, artificial nature of screen goddesses costar Michel Piccoli enumerates Bardot's physical attributes in a literary device known as blason, gleefully mixing high and low culture. Christian Blauvelt
Kristen Stewart isn't shy in ''On the Road''; see others who've disrobed for a role. (Hey, people! The human body is nothing to snicker at! Okay, maybe sometimes...)