We need to talk about Fred Savage. Rob Lowe has (justifiably) been getting much of the attention for his work on The Grinder, but let’s not underestimate Lowe’s co-star. Although he has a number of memorable film credits to his name, both as a child and as an adult (The Princess Bride and Little Monsters in the former, The Rules of Attraction in the latter), his home has always been on television. He first broke out on The Wonder Years, where he lived out his own adolescence weekly for six seasons. Savage was also the lead on the criminally underrated sitcom Working, which aired on NBC at the end of the ’90s and fell into the network’s post-Seinfeld comedy malaise (from which it arguably never recovered). Savage has also spent the last decade as an in-demand director of television comedy, lending his skills to hits like Modern Family and 2 Broke Girls, kids stuff like Wizards of Waverly Place, and cultishly adored stuff like Party Down and It’s Always Sunny in Philadelphia.
But Savage is a natural television comedian, and the first few episodes of The Grinder — particularly this week’s entry — have borne this out. There has been a little bit of consternation in the comments that Savage’s character, Stewart, might be too one-note, and even the people who have enjoyed the show so far concede that it would be hard to maintain Stewart’s level of elevated exasperation over an extended period of time. I agree with that sentiment, which is why I was glad to see that Stewart, while still generally bamboozled by his famous brother, has a few more layers, speeds, and moods to him than simply the guy in the pilot who was worried that he would never be able to lower his tone of voice ever again.
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As “Little Mitchard No More” shows, Stewart doesn’t just have to play the awkward straight man opposite Dean’s charismatic punch-line machine. He proves that not only does he have great chemistry with his wife, Deb (Mary Elizabeth Ellis, getting more and more time to shine), but is also an excellent foil against some top shelf guest stars in Nat Faxon and Alexie Gilmore. They play Lyle and Vanessa, a posh couple who suddenly wants to become friends with Stewart and Deb. Stewart is immediately skeptical, as he has spent a lifetime being exploited by people who want to get closer to his famous brother. But Deb insists they go in with an open mind, and though it’s pretty clear from the start that Lyle and Vanessa only want to be in Dean’s orbit, Stewart is easily charmed thanks to Lyle’s insistence that it looks like he’s been working out and his praise for a traffic situation that Stewart helped correct.
A dinner escalates to a fundraiser, where Stewart will have the opportunity to cozy up to a judge. Lyle and Vanessa want Dean to come, too, and while Deb and Stewart go along with it, Dean claims he knows for sure they are only interested in him. He can recognize the signs, you see. “They had that sort of Donner Party look in their eyes, like I was a steak they wanted to eat,” Dean says.
He ends up being right. When Dean doesn’t show at the fundraiser, Vanessa and Lyle are upset, and they spin a tale about a sick kid in order to lure him over. (It goes unresolved, but that kid is definitely not ill.) Although he is seduced by the empty admiration, Stewart has finally had enough: He calls out Lyle and Vanessa for using him to get to Dean, and they basically own up to it. Stewart even gets to meet the judge in the end — it turns out nobody really likes Lyle and Vanessa.
NEXT: Dean’s still trying to get with Claire