Malcolm McDowell

Stanley Kubrick: Five legendary stories of the filmmaker 'with the black eyes'

In Hollywood, there is a cult of Kubrick.

More than any other director, Stanley Kubrick is worshiped among his fellow filmmakers, and that reputation has only grown since his death in 1999. Paths of Glory, Lolita, Dr. Strangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Full Metal Jacket are revered as sacred texts among those who make movies.

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Rob Zombie sends in the killer clowns with gruesome trailer for 31

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Has your appetite for homicidal, red nose-wearing jesters been whetted by the just-released, Eli Roth-produced Clown? Then you definitely need to watch the new trailer for House of 1,000 Corpses director Rob Zombie’s latest cinematic nightmare, 31, which is released in select theaters on Oct. 21.

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Roger Corman is making Death Race 2050

Death Race 2000 is one of the true pulp masterpieces to come out of Roger Corman’s cheap-thrill movie factory. The 1975 film introduced a dystopian society where cross-country racers murdered pedestrians for sport – a dark vision of the future that suggests everything from The Hunger Games to the media coverage of O.J.’s white Bronco chase.

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Malcolm McDowell on Stanley Kubrick: An all-too-human artistic genius


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Malcolm McDowell is part of an increasingly exclusive club: He starred in a movie for Stanley Kubrick.

The film, of course, was A Clockwork Orange, the controversial 1971 movie about a young Beethoven-obsessed thug who becomes the government’s guinea pig for a Pavlovian mind-control technique to cure him of his criminal impulses.

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Academy, L.A. museum to host first U.S. Kubrick retrospective

Stanley Kubrick

It’s been more than 13 years since Stanley Kubrick died of a heart attack in 1999, and the 2001: A Space Odyssey director’s films still blast the minds of fans and movie lovers from Hollywood to Tokyo.

The Academy of Motion Picture Arts and Sciences and the Los Angeles County Museum of Art announced Thursday they will co-present the first-ever American retrospective of Kubrick.

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